ed,    er    fifty years, or siing began, t reated a story imaginatively? By t ed, t it o direct    to be arranged by s leading or collateral points yrannically , t    treat it ot ion? Any t ed to ions, not merely so mucruto vey a story    t individualising property, reated distin feature from every ot, o on appre identical; so as t ure in t t --    demand t it s in any o itian ed, in t ogetimes in t;Ariadne," in tional Gallery? Precipitous, yr rout about e places, drunk    tan. time present. itelling of tory an artist, and no ordinary one, mig, sa from tive spirit titian    time, and laid it tributory    to one simultaneous effect. it all ringing    idly casting    -- racted from till pag tary s-silence, and in almost tude,    daybreak to catc glances of t bore ahenian.

        s miraculously iting; fierce society, ude still absolute; noon-day revelations, s of t Bacc Ariadories, ime; separate, and ist made t to till more, ure at , y desolation of t previous? merged in t of a flattering offer met a for t ligo be pieced up by a God.

        e , from a picture by Rapi. It is tation of to Adam by ty. A fairer mot imagine, and a goodlier sire per tters subordio tion of tuation, displayed in traordinary produ. A tolerably modern artist emperiain raptures of ubial anticipation, able ao to tenance of t bridegroom; somettention of toy, and t blest it -sigist of a aken care to subtraeto en tual oion-goer, from t o last years so look for. It is obvious to    at a lo in a picture, t for respects of draering itude as one, or peruation of Adam. Singly on s t ted miracle. t is seized by tuitive artist, per self-scious of , in ions moment ract -- ime t up, or to battle for indeastery. -- e ly admired eri ing a fi, one of t severely beautiful in antiquity -- to do Mr. ----- justice, ed laudable org seclusion, and a veritable dragon (of ion), looking over into t out bao a "still-climbing ; could o catc ternary of Recluses. No ventual porter could keep ter tos ;lidless eye"    only sees t none do intrude into t Privacy, but, as clear as daylig     Diabolus by any manner of means . So far all is ude ra t ists ce seems to o pity ty fort tude tendants, maids of o tiquette at a court of teentury; giving to te cre, if    excuse tlemen. tteauis ary mystery-the

        Daughree,

        t sing around tree ?

        t treated t.

        tings or ratupendous arcectural designs, of a modern artist, ions to tto. ter, o stagger it. oructures are of t order of terial sublime. ranscripts of some elder y artist, tisfy our most strets of tique    is a pity t t side, tion of tist s, and appears defective. Let us exami of tory in t;Bels." e roduce it by an apposite ae.

        t orians of t at t dinner given by te King (t) at teristic frolic s    and admiring; t profuse and admirable; ts lustrous and oriental; tly dazzled e, among -cellar, brougoself a toood spicuous for its magnitude. And no C a signal given, ts , and a ransparency ered in goldeer-

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        Imagis; ters, jes, moulted upon t, and picked up t m by t pages. Mrs. Fitzess of * * * * tle, till to be restored by calling i a pantomime    up by t Garden, from s    folloual rallyings, tions t "t mued," of the assembled galaxy.

        t of time in ture exactly anso transparen te. tter, tle, ttinesses ened by sternation; tiers fear ation; all t o aken pla a mob iers, sympated surprise of ted by t t of sternation    t only of a gun having gone off!

        But is t, ty for tion of t a tre,    of a supernatural terror? ting judgments, urbed, restless, a upon escape. tless, passive.    appeared before Elip, and tood up,    in ts of tema to call up ts? But let us see i o justify all ternation.

        From t appears t Bels feast to a ted, hen follows --

        "In te ainst tick upon ter of t of t e. tenance roubled    ts of e one against anot;

        text. By no     it be ot t to t roubled. Not a s being seen by any else t, not even by takes for terpretation of ted to less, by o onis trouble and tenan t does not appear to    only, as Josepo t. "t of t from ing ten." asm as past.

        t bees of tiplication of to a royal sce, singly expressed -- for it ;t; simultaneously impressed upon tiers, ly nrammatically?

        But admitting tists oory, and t t iers -- let it o all Babylon -- teroubled, even so enances, as of an individual maroubled; bo doupor-fixed,    of struggling    iable judgment.

        Not all t is optically possible to be seen, is to be sure. tedly d individualities in a "Marriage at a," by Veronese, or titian, to texture and colour of ts, ttering upon tal and fass; for at suco be curious. But in a "day of judgment," or in a "day of lesser    divine," at t of Belse se, as tual eye of a or patient in te se in. Not only ttire aical eye of tely as ticised picture,-- but peries of anatomical sce, and studied diversities of posture in t subjects. them.

        By a ion, t masters of painting got at true clusions; by not sual appeara is, all t o be seen at any given moment by an indifferent eye, but only    be supposed to see ious a. Suppose t of to be seen -- ectural proportions, differences of publid private buildings, men and    tanding occupations, tures, attitudes, dresses, in some fusion truly, but p    t eclipsing moment, y, and ies, o plate tanding at tle, t o turn over iquarian ess ts and pans of Pompeii.

        "Sun, stand till upon Gibea;    ion, sees aug t-stretcer and lesser ligless to be seen s and    defiles, and all tances and stratagems of    erposition of t in ture of t by tist of t;Bels" no ignoble o ae of t;dart traverse" for some minutes, before it s modern art alone, but a, o be found if anyed erring, from defect of tive faculty. to sernatural in painting, transding ting    picture at Aeins. It seems a tself struggles itude at sed life besto ot fet t it     t it is a body. It o tell of ts. as it from a feeling, t tanders, and till more irrelevant    a distance, ly old of t is a glorified    respond adequately to tion -- t ttributed to Micy Sebastian unfairly robbed of ter erest? No t indifferent passers-by ual scope of t at to ly, or not at all, reac    ion of it admit of sucs?    it t all?    league to tion    t, of a presential miracle?

        ere an artist to paint upon demand a picture of a Dryad, ate of expectation, tron ,    to be fully satisfied iful naked figure recumbent under retc tains, and falls of pellucid er, and you    so in a roug    is long since -- ted cers. Long, grotesque, fantastic, yet iful in volution and distortion, lio ural tree, co-ting s limbs ill boted branced members -- yet table lives suffitly kept distinct -- ion of tures,    must be seen; analogous to, not transformations.

        to t subjects, and, to a superficial pre barren, t Masters gave loftiness and fruitfulness. t subjects ties of treatment from tions to some and Past or Future.    still linger about ti -- treated t of t;Building of t; It is in t scriptural series, to oons. t are timid and t. As tic guess at Rome, from ted no inferences beyond t of a    and uto; so from t, of mere mectively turn aiture    oolory associations. t at d ts intellectual eye. But not to tical preparations in ta Veccrus, o be servatory of tensity of tion,    of sigion. triard ions. And ts -- tary but suffit t and earness of a Demiurgus; under some instinctive ratec-muscled; every one a o t in sounding caverns under Mongibello eropes, and Pyra, So    should repair a world!

        Artists again err in tic orial objects. Ierior acts are nearly every ties as noties and corpulence of a Sir Joaff -- do t us perpetually in truded upon our ceptions oime for y-    in admiration at tive moral or intellectual attributes of ter? But in a picture Otters of externality, must be to ter moments, telligenced Quixote -- t Star of Knigender by eclipse -- ed itself, divested from t of a Sanc at te. t man aking , ist t pictures Quixote (and it is in t t    our Exions) in ting mirt tarved steed. e o see t terfeited, y. scious of te, ;strange bedfello; Ses!    into te tions of a super-cry,    ty -ing o be a guest s like t;truly, fairest Lady, Aore astonis tain, ty: I end time, and to so all sorts of people, especially of t your person so be; and if ts, as take up but a little piece of ground, sake up t neo pass t you may give credit to tion, be least    promisete de la Manco your ; Illustrious Romancer! ;fine frenzies,"    subject, as in t, to be exposed to to be monstered, and s tless bas of great men? as t pitiable infirmity,    misleads o    more t infli enoug men by studied artifices must devise and practise upon to inflame ise upon ted king at te, and t o play ts, e suffer in Duc t unhy nobleman.*

        In t Adventures, even, it needed all t of t mate artist in t t seen, to keep up in ttributes of ter    relaxing; so as absolutely t t ever obtrudes itself as a diso laug, rato indulge a trary emotion? Cervantes, stung, perco tes ties of ter, in t , lost t idea to taste of emporaries. e kno in t day t icipating, ually o er did to ;Guzman de Alfarac;-t some less kno it or to out -- bid ies, t, and    up t else ead of t te of semi-insanity -- t sedagion, caugronger mind ied -- t ive ing, and ary deference, o apanied er -- t -- does itute a doime to lay, if not actually laying    t Sance is bee a -- treatable lunatic. Our artists handle him accly.

        * Yet from t, our cried-up pictures are mostly selected; ting-h beards, &c.
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